that's good to hear as that's the part I go back and forth on.... its sort of where the camera stops being about the visuals and becomes more a voice recorder, because I am literally trying to weed out the right words to the poem and with miniature forms every word and its placement starts to carry a lot of weight. delighted it worked for you. As for the first half, watch it on the blog in the context of diagram and drawing and it may work better... which reminds me to flickr tag this...thanks.

None of my videos really make any sense alone...they are always shot to collide with a painting....I can't imagine them as discreet videos.

Alex,

I tried watching it again, this time in between the paintings on Itin Place. It definitely makes more sense in that context. I really wish I could see the entire thing in one screen though. Becuase of the size of the screen, it cuts off either the top or bottom of the paintings.

This is definitely the type of piece I'd like to enjoy with the video projected on the wall while it's sandwitched between the paintings.

And once again, great paintings.

Have I asked...what is your profession?

I'm an artist currently exploring the notion of digital space as a sort of open studio/ongoing gallery/new form of visual literature, or something. I just wrote a post about media sharing sites like vimeo and my work... It should be on if book today.
futureofthebook.org/blog/archives/2006/10/platos_cave_1.html
as for having to see the whole image... I don't know that it's necessary... likea japanese scroll, you have to roll through it.

Maybe that's why you have so many new posts so soon.

A Japanese scroll eh...interesting idea.