The Syntar was designed in the late 70s by George Mattson. George's company, P.M.S. (Performance Music Systems) manufactured these units with some work done by EML. There are roughly 8 units built and sold with a handful of prototypes, but by 1980 Moog Music had the Syntar beat marketing wise with its lesser Liberation.

Mark Mothersbaugh once optically scanned a Syntar at NAMM, but it seems the Liberation ended up in their rig.

I wanted to post a simple piece first and then later go into much further detail about what the Syntar can do that most mono-synths cannot and why it blows all other 'keytars' away.

(I hope I beat Jean Michel Jarre by posting the first Syntar video anywhere)