
Bora Lane; Moving photography
1 year ago
Video is taken with a preproduction camera Canon EOS 5D Mark II during the rainy night of Oct. 28th. 2008.
(Andreas Isenegger with Pan Productions; Arlesheim/Switzerland)
(Andreas Isenegger with Pan Productions; Arlesheim/Switzerland)
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The color had noise. Did you have control over the ISO? What ISO was this shot at? What lenses were used?
Great job, and thanks for posting this.
It's a postproduction camera.
I didn't have any control (ISO, aperture etc).
I hope, they change it to the production ones.
Or we have to use more than just a light bulb in the studio.
I'm sure the cam used IOS 3200. In the car I coudn't control because I sat on the tripod and could not see the display when the door was closed.
Lenses: T&S 85/2.8, 100 Macro for VU-meters, 50/1.2, 85/1.2, 135/2, in the car 24/1.4 and 35/1.4 and in the rain 70-200/2.8.
Just out of curiosity, how did you guys get your hands on the camera?
Would be right when there are other subjects in the same scene. But there is nothing else which is moving. So it wouldn't change a thing to record it faster and play it slower.
When you are a pro and you get a new prototype of a camera with a new technology and you don't have a clue, how it reacts, you don't do the fanciest stuff.
We had 1h to prepare the shooting, 5h to take pictures and a couple of hours to cut the video.
It's just a test with a prototype to see what the cam is able of.
A video of bora-lane made with professionell video-equipment (Sony-HD-Cam) you can watch on boralane.com .
that is crap....not true at all..
the video Coldplay - Yellow is a good example of this technique..but most clips have a base of 24 or 25fps..
they may do vary speed but to say they are nearly all shot sped up is rubbish..
i do not no what country you are commenting on...
It's a long time ago ;-), I don't know. The video is near 3 min and the original file has 94MB.
Vimeo compressed it to 50MB.