
God of Small Things
5 months ago
+ Music by the lovely and amazing múm
+ Thank you Milton and Lana Muller
- A film by Chris Abbas and Sumit Seru
+ Thank you Milton and Lana Muller
- A film by Chris Abbas and Sumit Seru
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Is is possible for you to ID some of them by using the time they appear?
Here we have the kaleidoscope and wonder of life under the macro lens...the viewer deserves the catharsis of a conclusion.
Although I fundamentally agree with your expectation of story in film, I absolutely disagree that it is even necessary in this particular piece.
Every shot is extremely abstract, it's clearly far more successful as something open to interpretation as opposed to a forced story told with frenetic bubbles, crystalline structures, and pulsing, amorphous blobs. But that is only my opinion.
Regarding gear, we used a Canon 30D with a 50mm 1.4 lens, standard high school microscope, intervalometer, and an old black sock (to block out the spill light). There was a kitchen table involved too, if one could consider that gear.
The idea behind this piece, and I suspect behind most abstract work, is that the ball is left in the viewers court- their imagination has free reign to see whatever they wish, and if the viewer doesn't see or feel anything at all, well, then that's just too bad.
why are you commenting about this having no storyline? I'm not sure if I can even begin to understand your videos.
For elo | meno | pe,
I thought the 30D only shoots stills, but yet this looks like video? How was it done?
You're right, the 30D only shoots stills. However, we set the camera on continuous shooting mode which enabled us to shoot at 5 frames per second. We used an intervalometer to engage the shutter release automatically, so our hands were free to manipulate what was on the microscope slide and focus. The intervalometer can also be used to take photos at predetermined intervals which makes it GREAT for time lapse work. It's essentially a button-pushing robot monkey.
We shot over 5000 images, then brought all of them into After Effects at 24 frames per second. When played back at this frame rate as a sequence, it looks like video. Ta da!
I hope that answers your question!
reminds me of Se7en opening credits but in a more clearer, clinical style, would work well for a medical drama as stated above or for a 60min special on swine flu.
Brilliant.