
Haibin Lu
5 months ago
A short experimental montage dedicated to exploring the idea of "eternal recurrence" (ewige Wiederkunft) and the affirmation of life put forth most notably by 19th century thinker Friedrich Nietzsche.
"Such an experimental philosophy as I live anticipates experimentally even the possibilities of the most fundamental nihilism; but this does not mean that it must halt at a negation, a No, a will to negation. It wants rather to cross over to the opposite of this -- to a Dionysian affirmation of the world as it is, without subtraction, exception, or selection -- it wants the eternal circulation: --the same things, the same logic and illogic of entanglements. The highest state a philosopher can attain: to stand in a Dionysian relationship to existence -- my formula for this is amor fati (love of fate)." The Will to Power - § 1041
A frightening and terrifying burden for anyone navigating the seas of fate but for Nietzsche a total and complete avouchment for life. A willingness to participate in perpetual return, to accept life's horrors and joys in turn without shrinking and without succumbing to the escapist tendencies of idealism, and to assert one's total passion of his or her fate marks, for Nietzsche, the strength of the individual. And if one can swallow the understanding then that knowledge as a "thing in itself" is illusory, herein lies the tool to overcoming even individuality and thus a step towards a revaluation of all values, and in turn cultivation of new ones.
"an urge to unity, a reaching out beyond personality, the everyday, society, reality, across the abyss of transitoriness: a passionate-painful overflowing into darker, fuller, more floating states; an ecstatic affirmation of the total character of life as that which remains the same, just as powerful, just as blissful, through all change; the great pantheistic sharing of joy and sorrow that sanctifies and calls good even the most terrible and questionable qualities of life; the eternal will to procreation, to fruitfulness, to recurrence; the feeling of the necessary unity of creation and destruction."
The Will to Power - § 1050 (translation Walter Kaufmann and R.J. Hollingdale)
The footage in this film was shot using a Panasonic SDR-H258 (SDR-H200) digital camcorder and edited using Adobe Premiere Elements 4. This project was created over a period of two months in early 2008 with scenes captured in East China and the Republic of Korea. "Haibin Lu" means "Seaside Drive" in Chinese.
Special thanks to Muph, Missing Link, Amperror, and Seafran for both the music and the inspiration for the soundtrack. LISTEN TO IT LOUD!
"Such an experimental philosophy as I live anticipates experimentally even the possibilities of the most fundamental nihilism; but this does not mean that it must halt at a negation, a No, a will to negation. It wants rather to cross over to the opposite of this -- to a Dionysian affirmation of the world as it is, without subtraction, exception, or selection -- it wants the eternal circulation: --the same things, the same logic and illogic of entanglements. The highest state a philosopher can attain: to stand in a Dionysian relationship to existence -- my formula for this is amor fati (love of fate)." The Will to Power - § 1041
A frightening and terrifying burden for anyone navigating the seas of fate but for Nietzsche a total and complete avouchment for life. A willingness to participate in perpetual return, to accept life's horrors and joys in turn without shrinking and without succumbing to the escapist tendencies of idealism, and to assert one's total passion of his or her fate marks, for Nietzsche, the strength of the individual. And if one can swallow the understanding then that knowledge as a "thing in itself" is illusory, herein lies the tool to overcoming even individuality and thus a step towards a revaluation of all values, and in turn cultivation of new ones.
"an urge to unity, a reaching out beyond personality, the everyday, society, reality, across the abyss of transitoriness: a passionate-painful overflowing into darker, fuller, more floating states; an ecstatic affirmation of the total character of life as that which remains the same, just as powerful, just as blissful, through all change; the great pantheistic sharing of joy and sorrow that sanctifies and calls good even the most terrible and questionable qualities of life; the eternal will to procreation, to fruitfulness, to recurrence; the feeling of the necessary unity of creation and destruction."
The Will to Power - § 1050 (translation Walter Kaufmann and R.J. Hollingdale)
The footage in this film was shot using a Panasonic SDR-H258 (SDR-H200) digital camcorder and edited using Adobe Premiere Elements 4. This project was created over a period of two months in early 2008 with scenes captured in East China and the Republic of Korea. "Haibin Lu" means "Seaside Drive" in Chinese.
Special thanks to Muph, Missing Link, Amperror, and Seafran for both the music and the inspiration for the soundtrack. LISTEN TO IT LOUD!
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and thank you for the post.
And, of course, the music has a very strong influence.
Sorry, may be, my explanation is not quite understandable.
Nice editing though. Works well with the music.
Your video dipicts this in many ways, and as i share my opinion with @shatlerina, this is shown through the contrasting imagery. As an example i will speak of the scene at 0:53 in which the camera is switching its focus between the man-made structure and the natural tall grass surrounding it. The structure is able to exist on top the land and sway with the wind yet it should not naturally exist there. throughout the video this dichotomy is shown; the concrete road next to the fields, the power plants next to the oceans, the tall buildings next to the open skies, a ships at sea... etc.
one of the reasons i enjoyed watching this so much is that is really made me flex my muscles of interpretation, and I like things that do that. keep up the good work!
nature as a force can be ugly in it's indifference as well as extraordinarily beautiful, but it's the same nature within us and it can be a struggle to come to grips with that.
I can say that it is very inspiring for me and I can see that you really do put meaning in every single frame which really is what defines a good piece of art IMO. I hope we will be seeing more from you because it's artist like you that make this place.