
Dubbing out in Ableton Live!
2 years ago
This is a tutorial video on how to use internal feedback inside Ableton Live to create those long, ondulating delay-lines you didn't think you had the equipment to do!
We go from a very simple keyboard "stab" sound to a warbly dubby mess with plenty of explanations in between.
This is our first HD release ever, so I hope you enjoy it!
please stop by our website:
covops.org
Andreas Wetterberg
- Operator A / The Covert Operators
- Machinate
We go from a very simple keyboard "stab" sound to a warbly dubby mess with plenty of explanations in between.
This is our first HD release ever, so I hope you enjoy it!
please stop by our website:
covops.org
Andreas Wetterberg
- Operator A / The Covert Operators
- Machinate
-
Andreas Wetterberg 2 years agono problem, glad you liked it! -
Soi 1 year agothat beat repeat on the delay-send channel izza nice! -
Mojo Twins 1 year agoHave you guys gotten your video subscription service up yet? I'm interested. -
Celestin de Villa 11 months agosorry, but you can do it with a delay with feedback control + just one return track where you place the effects for the sent delayed signal. -
Gennaro Giugliano 10 months agothanks for sharing -
Mark Morton 5 months agobeing a guitarist I have used a lot of delay. Live , I send 2 completely separate stereo tgrax to a mixer that finally sums my guitar sound (I also have a small amp that is fed from one of the outs from 1 of my pedals, that supplies a louder thicker tone when I need to boost the average of what I am doing. I use an Eventide dsp4000 and a pod live3, both zare fully balanced lines. I find the sweetest feedback is from a similar concept as your new york compression vid, I have mixed probably 100s of albums and I have found the effort you put into multiple variations and element mixtures of compression to be a very good modus operandi. Heres an idea for you. I use one line clean and the other with a wah wah, so you get the clean and wet signal thing going, if you keep it within sweet limits it is beautiful. I play almost exclusively acoustic guitars now, so the body pix up the frequencies and the orientation, distance, volume etc, all operate together to get the hum going. Also the eventide delay has 12 pick-up points in its line so you can get a really thick, dense sweet delat happening, tuned harmonis feedback looping-good reverbs go a long way to this beautiful experience. I believe a really good reverb unit is one of the most important decisions for a sound creator. good work mate. over and out. Mark
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