Craig Spenceley
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    15 days ago
    Craig Spenceley commented on Showreel: Christian Shaw / Craig Spenceley

    Oops. Forgot the other question! Music is "La valse d'Amelie (Orchestral Version)" from the Amelie soundtrack.

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    15 days ago
    Craig Spenceley commented on Showreel: Christian Shaw / Craig Spenceley

    Hi Michael. Thanks for the kind words. All elevations were shot with a Jimmy Jib Giant or Jimmy Jib Super - these are 19ft and 25ft respectively.

    jimmyjib.com/triangle.html

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    15 days ago
    Craig Spenceley commented on Showreel: Christian Shaw / Craig Spenceley

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    1 month ago
    Craig Spenceley commented on The Battle of the Somme

    Thanks Guyzo, and stw254. Good to know there's still people enjoying. I was fortunate enough to work with some very talented people in putting this together.

    Arun r - apologies for not answering sooner. No filters used in-camera (with the exception of the Letus Extreme and Phil's lenses). Everything else was done in post using Magic Bullet Looks.

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    2 months ago
    Craig Spenceley commented on You can change

    The ever graceful Phil Bloom makes his star turn. Some great framings of the London Eye in there, Mark.

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    3 months ago
    Craig Spenceley commented on If I lay here

    Some nice shots in there, Mark. Thanks for sharing. Must check out some of your other stuff.

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    3 months ago
    Craig Spenceley commented on Deer Vegas: Letus Ultimate and EX1

    Much like Terminator 2, the sequel is easily the equal. Great work, Phil, stunning as always... although you have now given me a craving to track down episodes of Monkey Dust.

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    4 months ago
    Craig Spenceley commented on The Battle of the Somme

    Thanks for all the kind words everyone.

    Astute - Phil gave me great footage to work with. But, all told, post on this project (and the two animated films that were produced with it) ran 4 weeks.

    On this film alone I would say there were 50 man hours in post.

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    4 months ago
    Craig Spenceley tagged The Battle of the Somme.

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